Happy holidays. There are two new Recipher tunes uploaded. The first is a drum and bass remix of Dance of the Sugar Plum Fairy called Sugar Plum Hardstep. The second is a heavy and dark drum and bass tune with the name Blue Destruction. Both can be found on the Recipher page. Please send us feedback from the contact page.
Four new samples packs have been uploaded to the samples page. Three of these packs are from the JP-8000 and the other, Alien Hihats, is a kit processed out of a lamp squeaking.
Salvador Dali can be credited for being one of the greatest surrealist artists of all time. One of his accomplishments, Ange Pi-Mesonic, in my opinion, is truly one of his greatest and least praised works as an artist. The title of the picture can be translated as Pi-Mesonic Angel, a very strange yet suitable title. The word meson alludes to a class of elementary subatomic particles that participate in strong interactions, which forms the basis of the painting. This work is vigorous, effectual, and full of energy. It is a depiction of nuclear chaotic forces interacting in perfect unison.
Ange Pi-Mesonic was started in 1957 and completed in 1958. A vast majority of Dali’s pieces are oil on canvas. This illustration is just a little bigger than a regular sheet of paper. He used ink, pencil and a small amount of gouache to complete this piece. The picture may represent a dream of his, as most of his works appear to do. There is no real style association here, but it was labeled as divisionistic art. This does not adequately classify the drawing because divisionism is defined as a sub genre of neoimpressionism in which colors are divided into their components and mechanically arranged so that the eye organizes the shape. The eye cannot organize the shape of this piece, and thus the expectation that there is more than the basis of divisionism at work here. Divisionism, as defined from a scientific view, was a principle studied by Werner Heisenburg. This scientist suggested that matter might have several forms harmoniously coexisting within a single structure. It is strange that a scientific principle can label the work instead of a style of painting such as impressionism or renaissance.
It’s been over 6 long years since the Beastie Boys have graced our cd players and turntables with a new album. It was well worth the wait. What is a review of the Beastie Boys doing on a website about experimental electronic art? Well, in my opinion, Beastie Boys is one of the most experimental groups that I have come across as an avid music listener. Not in a sense of how many snares can you fit into a single bar without it sounding like white noise, but in their mastery of a very diverse group of genres. They can’t be classified; they are the Beastie Boys.
To the 5 Boroughs is somewhat different from every previous release of their’s to date, but they still manage to come with the signature Beastie sound, minus the obvious (vocals). This album is reminiscent of Paul’s Boutique feel and similar to the futuristic, electronic hip hop joints on Hello Nasty. Basically, it’s a good mix of their older and newer hip hop. There is no chilled, jam songs like the album of In Sound From Way Out which was somewhat disappointing.
“Oh Word?” and “The Brouhaha” are just plain bangers that could get any party started. Both start out with infectious, simple electronic melodies and progress into some nice body moving business. I can barely call any of the songs fillers, they seem to blend nicely together. The crystal clear production on this album is also amazing. To the 5 Boroughs won’t let down the fans of the goofy, bizarre lyrics that the Beastie Boys are well known for. For example, “I got more rhymes than Carl Sagan’s got turtlenecks” and “I got a baddazler so my outfit’s tight.”
Here is a little criticism. As mentioned before, there was not a great mix of genres in this record; they stuck through the hip hop tempos the entire album. While this isn’t a huge problem, it was strange to see them focus on one genre and leave it at that. Some of the political stances that they take make them sound a bit whiny, regardless of if you hang to the left or right. The songs with political views still have amazing beats and rhymes.
I can’t see any real Beastie Boys fan, who has grown up with them for years, not liking this album. Except for the ones that only dug their hardcore like Aglio E Olio and think everything since then is a sell out record. Listening to this album makes me want to put on a walkman and go skateboarding (or fail miserably at trying), like in the old, nostalgic days of Check Your Head and Ill Communication. I knew I would like this album before even listening to the first track, so it’s quite hard to give it a bad review. I have one question. How many crews can fit kugel or Ron Popeil into their rhyme scheme? Not many. These guys could make an entire record out of kitchen appliance sound effects and it still would be amazingly funky.
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There are now free samples / resources up on the sound design page. Feel free to use these in your production if you are interested. The samples are from the Emu Modular, Moog Modular, Waldorf Microwave XT and processing through the DP4. There are also some random home recorded samples and drums.